Les lacs sont les reflets de nos rêves  

The exhibition Les lacs sont les reflets de nos reves, composed of a series of photographic images and videos, probe themes of immanent transformations and inversions of structures and surfaces. The notable inversion is, of course, the female figure not as a fetishized sexual object, but as a conflicted subject, floating and agonizing in a non-gravitational space. By blending numerous perspectives and spatial grounds into one, the artist depicts the female body caught in numerous parallel realities, from pastoral landscapes to empty environments.

The photographic surface is, in fact, a deep pictorial image, constructed in intense layers that give the image three dimensionality and a profound perspective. Josepha presents these self-consciously juxtapositions by using digital layers the same way she does in painting, exploring and blurring the fragile lines that separates painting from photography and video. Each spectrally figurative scene appears rich in both affective information and structural approach, yet lingers wistfully in aesthetic ambiguity and ambivalence.